Home              

Debate/Event  Booking Page

State Of British Black Music

Features/Interviews

Competitions & Deals

Records & African Crafts Fair

BTWSC Music Business Courses

Reviews/Listings

Media

Archived Pages

Gallery

Contact Us

Welcome To Harlesbridge

Links Page

British Black Music List 2005

 

Click To Nominate  Your Favourite Records  For
The British Black Music List 2005

The Genre Bullet Points

  • Urban is used as a marketing tool to (re-)package black music/culture. It’s used a way of appropriating black music once it has proved successful and denying black ownership.
  • Urban is robbing black people of their identity - some young people now see themselves as urban, not black.
  • Whites are the largest consumers of black music, and urban makes black music more accessible to white audience and white artists.
  • It is not the case that whites will not buy music if its black music. White artists, from the Rolling Stones in the 1960s to Johnny Rotten in the 1970s, went to source of black music, Chicago and Jamaica respectively, and championed authentic black music.
  • Urban opens wider doors to (some genres of) black music.
  • It’s black music- a large body of different musical genres, not just hip-hop or R&B.
  • Being black does not necessarily make you urban. Not all black people come from urban environments.
  • Urban takes away black ownership and input, producing a package that is inclusive and generally glosses over the serious black expression or invention. Soon, it will be forgotten that rap was black, in the same way that it has been forgotten that rock was originally black. People now mostly think of Elvis Presley, and not of the likes of Chuck Berry.
  • Several things, like the MOBOs, which began as a celebrating music of black origin soon end up as no longer exclusively black.

Back